摘要
This essay examines the ways in which two Taiwanese women playwrights used jingju in their recent works. Wang An-Chi's Meng Xiaodong featured actress Wei Hai-Ming telling the autobiography of the eponymous twentieth-century actress. Wu Ming-Lun's The Ghostdom River adapted the traditional story of Yin Yang River, exploring the female character's complex personal situation.
原文 | English |
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頁(從 - 到) | 556-565 |
頁數 | 10 |
期刊 | Asian Theatre Journal |
卷 | 32 |
發行號 | 2 |
DOIs | |
出版狀態 | Published - 1 9月 2015 |