Suzuki Tadashi's la Dame aux Camélias in Taiwan

Hsin-Chun Tuan

doi:10.1353/atj.2014.0011

Suzuki Tadashi's la Dame aux Camélias in Taiwan

Hsin-Chun Tuan^*

^*此作品的通信作者

人文社會學系

研究成果: Article › 同行評審

摘要

Postmodern pastiche and hybridity informed the performance La Dame aux Camélias (Taipei, 2011) directed by Tadashi Suzuki (1939–). Suzuki’s production conceived for Taiwan had visual theatrical innovation and contemporary setting, yet the music design could lead to cultural misunderstandings.

原文	English
頁（從 - 到）	228-241
頁數	14
期刊	Asian Theatre Journal
卷	31
發行號	1
DOIs	https://doi.org/10.1353/atj.2014.0011
出版狀態	Published - 14 4月 2014

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Suzuki Tadashi's la Dame aux Camélias in Taiwan

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