Abstract
This essay examines the ways in which two Taiwanese women playwrights used jingju in their recent works. Wang An-Chi's Meng Xiaodong featured actress Wei Hai-Ming telling the autobiography of the eponymous twentieth-century actress. Wu Ming-Lun's The Ghostdom River adapted the traditional story of Yin Yang River, exploring the female character's complex personal situation.
Original language | English |
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Pages (from-to) | 556-565 |
Number of pages | 10 |
Journal | Asian Theatre Journal |
Volume | 32 |
Issue number | 2 |
DOIs | |
State | Published - 1 Sep 2015 |