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Taiwan cinema, memory, and modernity
Ivy I.Chu Chang
*
*
Corresponding author for this work
Department of Foreign Languages and Literatures
Research output
:
Book/Report
›
Book
›
peer-review
5
Scopus citations
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Keyphrases
Modernity
100%
Taiwan Cinema
100%
Cinema Memory
100%
Global Capitalism
66%
Colonial Legacy
66%
Taiwan
33%
Mainland China
33%
Asian Film
33%
Marketing Strategy
33%
Politics
33%
Cinema
33%
Mode of Production
33%
Nation-state
33%
Transnational
33%
Trans-local
33%
Transnational Migrants
33%
Award Winner
33%
Cross-Strait Relations
33%
International Film Festival
33%
Gangster
33%
Wei Te-Sheng
33%
Migrant Workers
33%
Tsai Ming-liang
33%
Historical Memory
33%
Transnational Production
33%
Social Sphere
33%
Personal Memory
33%
Political Transition
33%
Urban Middle Class
33%
Edward Yang
33%
Disjuncture
33%
Arts and Humanities
Transnational
100%
Taiwan Cinema
100%
Taiwan
66%
Legacy
66%
Global Capitalism
66%
Asian Film
33%
Mainland China
33%
Urban
33%
Ming
33%
Nation-state
33%
Migrant Workers
33%
Sheng
33%
Domination
33%
Social Memory
33%
Personal Memory
33%
Films
33%
International Film Festival
33%
gangster
33%
New Cinema
33%
Marketing
33%