Suzuki Tadashi's la Dame aux Camélias in Taiwan

Hsin-Chun Tuan

doi:10.1353/atj.2014.0011

Suzuki Tadashi's la Dame aux Camélias in Taiwan

Hsin-Chun Tuan^*

^*Corresponding author for this work

Department of Humanities and Social Sciences

Research output: Contribution to journal › Article › peer-review

Abstract

Postmodern pastiche and hybridity informed the performance La Dame aux Camélias (Taipei, 2011) directed by Tadashi Suzuki (1939–). Suzuki’s production conceived for Taiwan had visual theatrical innovation and contemporary setting, yet the music design could lead to cultural misunderstandings.

Original language	English
Pages (from-to)	228-241
Number of pages	14
Journal	Asian Theatre Journal
Volume	31
Issue number	1
DOIs	https://doi.org/10.1353/atj.2014.0011
State	Published - 14 Apr 2014

Access to Document

10.1353/atj.2014.0011

Cite this

@article{a8f14d7484f843468d3bf9ee0dd2b975,

title = "Suzuki Tadashi's la Dame aux Cam{\'e}lias in Taiwan",

abstract = "Postmodern pastiche and hybridity informed the performance La Dame aux Cam{\'e}lias (Taipei, 2011) directed by Tadashi Suzuki (1939–). Suzuki{\textquoteright}s production conceived for Taiwan had visual theatrical innovation and contemporary setting, yet the music design could lead to cultural misunderstandings.",

author = "Hsin-Chun Tuan",

year = "2014",

month = apr,

day = "14",

doi = "10.1353/atj.2014.0011",

language = "English",

volume = "31",

pages = "228--241",

journal = "Asian Theatre Journal",

issn = "0742-5457",

publisher = "University of Hawaii Press",

number = "1",

}

TY - JOUR

T1 - Suzuki Tadashi's la Dame aux Camélias in Taiwan

AU - Tuan, Hsin-Chun

PY - 2014/4/14

Y1 - 2014/4/14

N2 - Postmodern pastiche and hybridity informed the performance La Dame aux Camélias (Taipei, 2011) directed by Tadashi Suzuki (1939–). Suzuki’s production conceived for Taiwan had visual theatrical innovation and contemporary setting, yet the music design could lead to cultural misunderstandings.

AB - Postmodern pastiche and hybridity informed the performance La Dame aux Camélias (Taipei, 2011) directed by Tadashi Suzuki (1939–). Suzuki’s production conceived for Taiwan had visual theatrical innovation and contemporary setting, yet the music design could lead to cultural misunderstandings.

UR - http://www.scopus.com/inward/record.url?scp=84898799473&partnerID=8YFLogxK

U2 - 10.1353/atj.2014.0011

DO - 10.1353/atj.2014.0011

M3 - Article

AN - SCOPUS:84898799473

SN - 0742-5457

VL - 31

SP - 228

EP - 241

JO - Asian Theatre Journal

JF - Asian Theatre Journal

IS - 1

ER -

Suzuki Tadashi's la Dame aux Camélias in Taiwan

Abstract

Access to Document

Other files and links

Fingerprint

Cite this