Suzuki Tadashi's la Dame aux Camélias in Taiwan

Hsin-Chun Tuan*

*Corresponding author for this work

Research output: Contribution to journalArticlepeer-review


Postmodern pastiche and hybridity informed the performance La Dame aux Camélias (Taipei, 2011) directed by Tadashi Suzuki (1939–). Suzuki’s production conceived for Taiwan had visual theatrical innovation and contemporary setting, yet the music design could lead to cultural misunderstandings.

Original languageEnglish
Pages (from-to)228-241
Number of pages14
JournalAsian Theatre Journal
Issue number1
StatePublished - 14 Apr 2014


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