In the name of "asia": Practices and consequences of recent international film co-productions in East Asia

Ti Wei*

*Corresponding author for this work

Research output: Chapter in Book/Report/Conference proceedingChapterpeer-review

3 Scopus citations

Abstract

International film co-productions among East Asian countries have significantly increased since the beginning of the twenty-first century. From 2005 onwards, several blockbuster films collaboratively produced by film companies from Mainland China, Hong Kong, Japan, and South Korea, including Seven Swords, The Promise, The Myth, and A Battle of Wits, have been released. These films have not only integrated the regional film industries, capital, internationally known filmmaking personnel and popular stars to target the Asian market, but also forged ahead into the global film market by labeling themselves as “Asian productions” or “Asian films.”
Original languageEnglish
Title of host publicationEast Asian Cinemas
Subtitle of host publicationRegional Flows and Global Transformations
PublisherPalgrave Macmillan
Pages189-210
Number of pages22
ISBN (Electronic)9780230307186
ISBN (Print)9780230277670
DOIs
StatePublished - 12 Apr 2011

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